First Steps 2025: 31 March – 26 April

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Eastside’s annual exhibition for artists who are new, or nearly new, to exhibiting is back for 2025 with a huge variety of works from 16 local artists in Eastside and another 10 in the Mini Gallery. This not-to-be-missed exhibition showcases impressive local talent.
Nothing over $600.
Location: Eastside Gallery, 388 Worcester St, Christchurch, free parking onsite.
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"Art Deco Diver" and "Don't Rock the Boat" by Reneé Prescott
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"Now, look" and "Pause" by Amy Oram
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Leather bracelets by Sophia Shan and Lynley Hao
Y Anthea Merrin
"Tessera" by Anthea Merrin (of Ramloët)
Yes two puppies
Leather bracelets by Sophia Shan and Lynley Hao
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"Pull the Thread" by Jack Banks
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"Marokuranui 1-3" by Gina Coatsworth
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"Mike Howes" and "The Magnificent Castlepoint" by Donna Howes
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"Into the blue" by Federica Benedet
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"Metaphysical Cross Section" by Jeremy Herbert
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"Smoked Makeral" by Bob Tyler
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"Josephine Baker" by Carolyn Wightman
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"In the wings" and "On point" by Bartholomew Gibbs
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"Secret Door" and "New Beginning" by Berrit Radtke
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"Late Night With The Spectre Of Policies Past" by CJ Maglaqui
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"Fox Glacier, not looking up" by Daniel Collins
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Promo version Two Puppies
Lynley Hao and Sophia Shan, "Kokako Lullaby," dyes & acrylic on leather, 2025
Into the blue, Federica Benedet
"Federica Benedet, "Into the blue," watercolour on paper, 2023
First Steps 2025-9
Carolyn Wightman, "Blue Fiord," watercolour on paper, 2025
Ruby Farebrother Fish Rob
Bob Tyler, "Smoked Mackerel," acrylic on canvas, 2023
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Reneé Prescott, "Art Deco Diver," acrylic on canvas, 2025
On Point - Bartholomew Gibbs
Bartholomew Gibbs, "On point," oil on canvas, 2024
Anthea Ramloet Tessera
Anthea Merrin (of Ramloët), "Tessera," plaster & acrylic on wood panel, 2024
Donna Howes, "The Magnificent Castlepoint," oil on canvas, 2023
Berrit Radtke, "Secret Door," acrylic on canvas, 2023

Arts Canterbury Juried Show 2025: 3-29 March

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Arts Canterbury members are encouraged to submit their best artworks for the annual juried exhibition. This year 25 local artists have been selected by three independent jurors: Felicity Milburn, Gerard Smyth and Pippa Judge.
5 awards were given out on opening night.
 
Three Jurors Merit Awards, sponsored by The Drawing Room, went to:
 
  • Anna Waaka Bartlett with “Whenua.”
  • Janet Brady with “Mitre Peak Milford Sound.”
  • Kellie Spence with “Light from within.”
The Excellence in Fine Art Award, sponsored by Arts Canterbury, went to:
 
  • Isabelle Wannenburg with “Kaikoura.”
The Eastside Development Award went to:
 
  • Meg Maguire with “The Conversation.”
The public now has the opportunity to vote for the Peoples’ Choice’ Award, sponsored by Gordon Harris.
 
Location: Eastside Gallery, 388 Worcester St, Christchurch, free onsite parking.
 
Opening Hours: Tuesdays – Saturdays. Galleries 12-5pm.
 
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Isabelle Wannenburg, "Kaikoura."
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Meg Maguire, "The Conversation."
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Kellie Spence, "Light from within."
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Janet Brady, "Mitre Peak Milford Sound."
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Kate McLeod, "Ubuntu."
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Elaine Fraser, "Foiled."
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Sam Young, "Into The Void."
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Debbie Garland, "Captivate."
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Jane Reid, "The Lovely Greens."
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Gary Glinton, "Jellyfish."
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Ashleigh Ritchie, "Noble."
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Jessie Christieson, "Then Bursting Forth in Glorious Day."
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Diane El-Ammar, "Joyful Heart."
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Leonie Fraser, "Rose attack."
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Masako Fisher, "Dubrovinik."
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Emma G Potteree, "I Am What I Am."
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Jo Seizova-Joki, "Bird's nest."
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“The Conversation,” Meg Maguire, oil on canvas, 2024
2. SamYoung.IntoTheVoid
“Into the Void,” Sam Young, enamel on panel, 2024
1. Foiled by Elaine Fraser
“Foiled,” Elaine Fraser, acrylic on canvas, 2025
GaryClinton-Jellyfish
“Jellyfish,” Gary Clinton, oil on canvas, 2024
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“Noble,” Ashleigh Ritchie, oil on wood, 2024
Sarah Beal The Joshua Tree (1)
"The Joshua Tree," Sarah Beal, oil on canvas, 2024
KellieSpence.Unfinished
"Untitled," by Kellie Spence, oil on linen, 2025
“Ubuntu,” Kate McLeod, acrylic copper leaf and art resin on aluminium composite panel, 2024
“Cloudy Peak from Mesopotamia,” Ruth Reid, oil on canvas, 2024

We Dare: 3 February – 1 March 2025

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This show is essentially about searching for authentic images in the midst of the noise and glamour that distracts us every day.

1980, filmmaker Werner Herzog lamented the lack of quality images in our lives. In particular, he railed against the “ridiculous and destructive” images in commercials and on TV, which he said we should declare “holy war” against, and argued that civilization was doomed to die out like dinosaurs if we didn’t develop “adequate images.”1 45 years later is the situation any different? Are the huge number of images we’re bombarded with daily any good for us? Who better to shake us out of the torpor of rubbish, cliché images than our artists?

14 local artists who responded to our challenge present deeply personal stories – of the inbetween, the hard work behind the scenes or the way the tussle for our attention online can leave us vulnerable, frustrated or substanceless. There are responses to the Government’s treatment of Te Tiriti, of the migrant experience, and the potential of finding different kinds of beauty in contemplating the ordinary, the messy and the imperfect.

Location: Eastside Gallery, 388 Worcester St, free onsite parking

1Quotes from the short film, “Werner Herzog Eats his Shoe,” (Les Blank, 1980)

Opening Hours:Tuesday-Saturday. Galleries 12-5pm. Classes start from 10am and run into the evening.
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The Samantha Room, “Kill the Bill,” digital print, 2024
Rebecca McNab giveusadequateimages
Rebecca McNab, "Give us adequate images," photo manipulation on paper, 2025
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Catherine Brougham, “Her Majesty,” watercolour on paper, 2024
3. Girl in Amber - Bartholomew Gibbs
Bartholemew Gibbs, “Girl in Amber,” oil on canvas, 2024
Yai Potharam, “I fake u ALL,” digital print on paper, 2024

Classes Showcase: 25 November – 21 December 2024

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This show is a celebration of the 16 weekly classes we have developed and run over the last three years, thanks to funding from the Ministry for Culture and Heritage.

We’ve offered everything from drawing, painting, art therapy, dance, creative writing, multicultural, Māori arts, classes especially for 55+ and especially for kids.

Classes were designed to grow community alongside skills and catapulted the Centre into a hive of constant activity.

And what comes next? We’re pleased to say that thanks to a grant from the Christchurch City Council we will be able to keep most classes running next year. We also have a great exhibition programme lined up that so far includes 7 open calls for local artists.

Keep an eye on our website for updates.

Location: Eastside Gallery, 388 Worcester St, Christchurch, free parking onsite.
Opening Hours: Tuesday-Saturday. Galleries 12-5pm. Classes start from 10am and run into the evening.
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"Whina" by Carrie Keith
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"Castle Hill" and "Lost in Canterbury" by Isabelle Wannenburg
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"Jellyfish" and "Orbits" by Lynette Colton
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"Still Life with Artist" by Christine Sewell
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"Wakatipu" by David Bromell
Yes Karen cu
"Rhythms of Innocence" by Karen Gonzalez-Tapia
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"The riot begins" and "On the run" by Shawn Ridley
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"Braided" by Nicole Barrett
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"Nature's Journey 2" by Caity Blanch
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"Zen Bali" by Mary Baker
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"Manawatia te Taiao" by Sarah Maxwell
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Various embroidered and felted works by Jill Arnesen
Y Chris M
"Thinking in Circles" by Chris McFarlane
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"Forest" by Lauren Carmichael
Classes Showcase-39 (3)
June Cross, Jill Wreford, Amanda Cropp, Johanna Smith and Judith Stephens
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The Mature Movement for 55+ class performed at the opening
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The Creative Writing class read poetry and flash fiction at the opening
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Sarah Maxwell, "Manawatia te Taiao," harakeke & ti kouka, 2024
Whina - Carrie Keith ML
Carrie Keith, "Whina," acrylic on canvas, 2023
Karen Gonzalez Rhythms of Innocence over A2 front
Karen Gonzalez Tapia, "Rhythms of Innocence," soft pastel on paper, 2024
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the "Mature Movement for 55+" class will dance at the opening
Isabelle Wannenburg-Castle Hill-Mixed media
Isabelle Wannenburg, "Castle Hill," mixed media on paper, 2024
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the "Creative Writing" class will read poetry and flash fiction at the opening;
Jellyfish Lynette Colton
Lynette Colton, "Jellyfish," mixed media on canvas, 2024
Christine Sewell small Just under A3 Mini crop
Christine Sewell, "After Diane Arbus," oil on paper, 2024.